A day of painting en plain air with Phil Biggs
On an overcast Tuesday in June, Members were treated to an all-day workshop in Warminster Park with Phil Biggs.
Phil paints in a very traditional way, outdoors when possible, shunning gimmicks, preferring to just use pencil, brush, lovely artists' watercolours and quality papers.
He has been influenced by the old masters and by modern painters like Ted Wesson, Edward Seago, Roland Hilder and James Fletcher-Watson. He loves to paint the light and atmosphere of the British landscape and to pass on his enthusiasm and knowledge to student painters. Many creditable pictures were produced on the day, much to the delight of those attending.
On an overcast Tuesday in June, Members were treated to an all-day workshop in Warminster Park with Phil Biggs.
Phil paints in a very traditional way, outdoors when possible, shunning gimmicks, preferring to just use pencil, brush, lovely artists' watercolours and quality papers.
He has been influenced by the old masters and by modern painters like Ted Wesson, Edward Seago, Roland Hilder and James Fletcher-Watson. He loves to paint the light and atmosphere of the British landscape and to pass on his enthusiasm and knowledge to student painters. Many creditable pictures were produced on the day, much to the delight of those attending.
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A day of teasels and inspiration.
Sue Rubira trained as an illustrator at Bristol where she gained a BA 1st Class Honours in Illustration, and then an MA at the Royal College of Art in London, after which she moved to Portugal. Sue now lives and works near Southampton, teaching and painting portraits on a personal and commission basis. In 2006 she was winner of the Daily Mail Portrait of the Queen competition and she has had her work exhibited at the National Gallery. At an all day Saturday workshop at the end of May she generously shared her techniques and expertise with the group and demonstrated how to achieve some amazing effects using watercolour and acrylic inks. |
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The May Exhibition 2016
was opened by local contemporary artist and wire sculptor Derek Kinzett, whose work can be found in private collections worldwide. One of Derek's masterpieces sat quietly in a corner, surrounded by admirers. More than 70 guests attended the Preview evening where they voted for the "People's Favourite". Pat Ebdon's Tree Frog was the choice and David presented her with the Alfred Lilly award The competition this time was to design a book jacket.
Throughout the 2 weeks of the exhibition, visitors voted for the one they liked best. Anthea Hadley won with her painting 'All Quiet on the Western Front. 
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Setting the tone
On April 9th, Fiona Peart held a Saturday workshop at Warminster Community Centre.
She demonstrated her approach to acrylic painting by first creating a tonal painting using four shades of blue. She showed how to locate the darkest darks and the lightest lights in a subject and then how to distinguish two other tones between, one nearer the light tone and one nearer the dark.
Members tried this for themselves and then Fiona showed how to add colour, deciding the tone of the pigment, and how to build up a loose, painterly approach to the finished work. She ended with a helpful and encouraging critique of members’ paintings.
An excellent day!
On April 9th, Fiona Peart held a Saturday workshop at Warminster Community Centre.
She demonstrated her approach to acrylic painting by first creating a tonal painting using four shades of blue. She showed how to locate the darkest darks and the lightest lights in a subject and then how to distinguish two other tones between, one nearer the light tone and one nearer the dark.
Members tried this for themselves and then Fiona showed how to add colour, deciding the tone of the pigment, and how to build up a loose, painterly approach to the finished work. She ended with a helpful and encouraging critique of members’ paintings.
An excellent day!
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Bluebells and poppies
Members were deep in bluebells and poppies when Terry Harrison, the well-known artist from the Cotswolds, came to the studio on the 15th March to give a watercolour demonstration.
Terry's first painting was a rural scene with a barn, distant trees and fields and a foreground of scarlet poppies. He used a variety of the special brushes which he has designed, including his 'Fan Gogh', to show how to achieve realistic foliage and grasses.
The second painting was of ivy-clad trees, silver birches, and a carpet of shimmering bluebells in the foreground
Terry had brought a selection of his brushes and books for members to buy.
Members were deep in bluebells and poppies when Terry Harrison, the well-known artist from the Cotswolds, came to the studio on the 15th March to give a watercolour demonstration.
Terry's first painting was a rural scene with a barn, distant trees and fields and a foreground of scarlet poppies. He used a variety of the special brushes which he has designed, including his 'Fan Gogh', to show how to achieve realistic foliage and grasses.
The second painting was of ivy-clad trees, silver birches, and a carpet of shimmering bluebells in the foreground
Terry had brought a selection of his brushes and books for members to buy.
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Palette knives and vibrant acrylics
For two consecutive weeks in February more than 30 members, armed with palette knives, brushes, gel medium and heavy acrylic paints, learned the fun of applying acrylic with palette knives, from Fiona J Forbes, the Wiltshire artist. In the first session members produced a small painting on card and, after a further demonstration at the second tutorial, produced larger, more complete paintings. At the end of the sessions Fiona gave a detailed helpful critique. |
Pastel Landscape of the Sussex Downs
In January, Barry Watkin, a renowned oil and pastel artist from Crowcombe in Somerset, demonstrated landscape painting of the Sussex Downs in pastels. Barry has exhibited with many societies including the RBA, the ROI and the Pastel Society, specialising in landscapes, seascapes, house portraits, flowers and animals.
He first sketched using charcoal, emphasising where shade and depth were required in his painting. He then quickly filled in the initial painting using Unison Pastels on Fisher 400 glass paper.
At the end of the afternoon Barry presented the finished work to the society to raffle.
In January, Barry Watkin, a renowned oil and pastel artist from Crowcombe in Somerset, demonstrated landscape painting of the Sussex Downs in pastels. Barry has exhibited with many societies including the RBA, the ROI and the Pastel Society, specialising in landscapes, seascapes, house portraits, flowers and animals.
He first sketched using charcoal, emphasising where shade and depth were required in his painting. He then quickly filled in the initial painting using Unison Pastels on Fisher 400 glass paper.
At the end of the afternoon Barry presented the finished work to the society to raffle.
2015
Sean Slater Saturday Workshop
In March Sean Slater held an all-day drawing workshop. Sean uses the Riley Method of drawing and the first part of the day was spent doing portraits from photographs after watching Sean explain the technique. In the afternoon we had a superb male model - in a kilt - and we were able to draw many different poses using the techniques we had learned.
Watercolour Landscapes of Wales
On a Tuesday afternoon in February we were treated to a demonstration by Frank Collict, an artist from Wales. He did two paintings, one of the Brecon Beacons in watercolour and the other illustrated the use of ink, using only a bamboo cane and sharpened match to draw the scene before finishing with watercolour.
On a Tuesday afternoon in February we were treated to a demonstration by Frank Collict, an artist from Wales. He did two paintings, one of the Brecon Beacons in watercolour and the other illustrated the use of ink, using only a bamboo cane and sharpened match to draw the scene before finishing with watercolour.
People Aren't Scary Really
Members were in for a real treat at a workshop run by Marilyn Allis. During the day Marilyn demonstrated three paintings in her loose impressionistic style then helped everyone to produce two creditable paintings.
Marilyn uses strong vibrant colours to capture the movement and energy of a scene; her work can be seen at exhibitions across the country.
Members were in for a real treat at a workshop run by Marilyn Allis. During the day Marilyn demonstrated three paintings in her loose impressionistic style then helped everyone to produce two creditable paintings.
Marilyn uses strong vibrant colours to capture the movement and energy of a scene; her work can be seen at exhibitions across the country.
2014
Inspirational Oils
Laura Rich, who lives in Mere, Wiltshire, was commissioned by P&O to produce 64 contemporary landscape paintings to adorn exclusive accommodation aboard their new ship, Britannia. She demonstrated the various stages each painting underwent from a blank canvas through to the final painting in a myriad of vibrant colours.
Laura Rich, who lives in Mere, Wiltshire, was commissioned by P&O to produce 64 contemporary landscape paintings to adorn exclusive accommodation aboard their new ship, Britannia. She demonstrated the various stages each painting underwent from a blank canvas through to the final painting in a myriad of vibrant colours.
Summer 2014
Members visited Merfield House, Rode, on the 10th June, kindly hosted by Mr & Mrs D James. They were able to paint at several locations within the beautiful grounds on a lovely summer day, as shown in the photograph taken in the walled garden.
Members visited Merfield House, Rode, on the 10th June, kindly hosted by Mr & Mrs D James. They were able to paint at several locations within the beautiful grounds on a lovely summer day, as shown in the photograph taken in the walled garden.
Pastels Artist Visits Art Society
In March Wiltshire artist Carol Kibble gave a demonstration in the use of pastels.
Carol’s favourite subject is British wildlife, but she has recently become well known for her paintings of racing cyclists. She told members that she prefers pastels to all other media because of the depth of colour and the detail she can achieve.
Carol has loved drawing from childhood, but at school she was encouraged to study more academic subjects in order to get “a proper job”. After years working for an insurance company, Carol took the plunge and became a self-employed artist. She now divides her time between exhibitions, commissions and teaching and runs workshops and courses.
After her demonstration, she encouraged members to experiment with pastels, giving each member individual attention.
In March Wiltshire artist Carol Kibble gave a demonstration in the use of pastels.
Carol’s favourite subject is British wildlife, but she has recently become well known for her paintings of racing cyclists. She told members that she prefers pastels to all other media because of the depth of colour and the detail she can achieve.
Carol has loved drawing from childhood, but at school she was encouraged to study more academic subjects in order to get “a proper job”. After years working for an insurance company, Carol took the plunge and became a self-employed artist. She now divides her time between exhibitions, commissions and teaching and runs workshops and courses.
After her demonstration, she encouraged members to experiment with pastels, giving each member individual attention.
Playing with Water Colour
Portrait artist Sue Rubira held a Saturday Workshop in March on Playing with Watercolour.
Sue studied illustration in Bristol before moving to do a Masters Degree at the Royal College of Art. She won the Daily Mail competition for an 80th birthday portrait of the Queen and in 1980 she was commissioned to make an engraving that was deliberately burned in the climatic scene of Granada Television's The Jewel in the Crown series. She has been teaching watercolour for 25 years.
Sue explained the science behind watercolour techniques and how different mixtures of paint behave. She demonstrated how different colours reacted in a wash, and passed on techniques to show how to control wet-in-wet watercolour.
The group practised these techniques and then applied what they had learned to painting realistic looking feathers.
Sue studied illustration in Bristol before moving to do a Masters Degree at the Royal College of Art. She won the Daily Mail competition for an 80th birthday portrait of the Queen and in 1980 she was commissioned to make an engraving that was deliberately burned in the climatic scene of Granada Television's The Jewel in the Crown series. She has been teaching watercolour for 25 years.
Sue explained the science behind watercolour techniques and how different mixtures of paint behave. She demonstrated how different colours reacted in a wash, and passed on techniques to show how to control wet-in-wet watercolour.
The group practised these techniques and then applied what they had learned to painting realistic looking feathers.
Reeds, Sticks, Archaeology and Winter Landscapes
Artist and Illustrator Jane Brayne paid a visit to Warminster recently. Jane is known nationally for her work as an archaeological reconstruction illustrator, specialising in depicting prehistoric scenes. Working with archaeologists to interpret the artefacts and locations, Jane has created striking images of long lost places and people from the past as illustrations for books and museums
throughout the country. She is currently writing and illustrating a comic strip book for children about the Beaker People and Stonehenge. Jane is best known as the series illustrator for the BBC2 programme ‘Meet the Ancestors’. One of the images she created was of the famous ‘Amesbury Archer’ which can be seen at the British Museum. The grave of the Amesbury Archer was excavated by Wessex Archaeology in 2002 about two miles from Stonehenge. Jane shared her talents as an artist and illustrator with Warminster Art Society during a Saturday Workshop. A group of students were taken through the skills of using water colour washes, and creating images by applying ink and water colour using pens, brushes, sticks and sharpened reed pens. The students were also introduced to the advantages of using gouache paint and were encouraged to experiment and break the rules to create some interesting landscapes.
throughout the country. She is currently writing and illustrating a comic strip book for children about the Beaker People and Stonehenge. Jane is best known as the series illustrator for the BBC2 programme ‘Meet the Ancestors’. One of the images she created was of the famous ‘Amesbury Archer’ which can be seen at the British Museum. The grave of the Amesbury Archer was excavated by Wessex Archaeology in 2002 about two miles from Stonehenge. Jane shared her talents as an artist and illustrator with Warminster Art Society during a Saturday Workshop. A group of students were taken through the skills of using water colour washes, and creating images by applying ink and water colour using pens, brushes, sticks and sharpened reed pens. The students were also introduced to the advantages of using gouache paint and were encouraged to experiment and break the rules to create some interesting landscapes.
Skills to Capture the Scene
More than 30 members came to the Park Community Centre at the end of February for an afternoon’s talk and demonstration on landscape painting using water colour – renowned as a difficult medium to master. Artist Max Hale chose a village street scene with buildings receding into the distance. He applied pale colourful washes to depict the cottages, later skilfully adding the details to the dry wash. The painting was completed within the two hour demonstration and in fact Max recommended that, when painting out of doors, the artist should always aim to capture the scene within two hours before the shadows and weather conditions alter too much. Max Hale gained a fine art degree at Harrow Art College and then went on to work as a story and magazine illustrator. Since then Max has used his strong graphic skills and further developed his love of painting using a particular broken colour technique which gives his audience something to discover within his work. Max writes for The Artist magazine and has recently won a prize for ‘Eager Feeder’, a painting in oils for the Patchings Festival.
Sharp Beaks and Flying Feathers
Some of the results are shown with Rob in the centre
Rob Savin, who works as a keeper at Longleat in addition to being a very accomplished artist, returned to the studio in January for four consecutive Tuesdays of lessons in acrylics. He took a photograph of a colourful macaw for the students to paint and demonstrated each stage of the process giving hints and tips to students as the painting progressed. As you can see the results are fantastic and everyone had great fun.
Look at what we have done!
Kaleidoscope of Colour
At a Saturday workshop in January, Annie Monk led members through a wonderful experience experimenting with acrylic paint, pallet knives, oil pastels, collage and a kaleidoscope of colour. Annie is largely self-taught, and although she initially attended tutored workshops, she then developed her own very individual style. She now works with acrylics and mixed media, painting quickly and instinctively and allowing her pictures to evolve.
